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Even Several times he composed music for the sake of his friendship. His created music which was beyond the tradition of the Qawwali, so he got the title “Baghi Qawwal” or “The Rebel Qawwal”. Music Direction :- He composed and directed music of all of the nonfilm Qawwalies he sang. Though in his recorded albums he mostly sang the songs of Qaisar Ratnagirvi, Hasrat Roomani and Nazan Sholapuri, but for stage performance most of the time he selected nice but difficult ghazals. Many shairs such as Bashir Badr, Makhmoor Saeedi, Meraj Faizabadi, Krishn Bihari Noor Lakhnavi, Wali Aasi, Waseem Barelvi, Munawwar Rana and Muzaffar Warsi etc. He was a member of lots of literary magazines. He had a huge library of Urdu books of poetry, and every month obtained 50-60 new books from India, and from Pakistan as well. The sense of poetry was a god’s gift to him. He was from Kerala, his mother tongue was Malyalam and he got his institutional qualification in Gujrati mediam, but to sing Qawwali he had to learn Urdu, so he learned Urdu from a Shair named Sadiq Nizami. He had a talent to sing classical music and to play many instruments like harminium, tabla, bongo etc. And assistant of music director Naushad, and he began to take regular lessons of music.Īfter some time he got a chance to learn music from veteran music director Rafiq Ghaznavi, who was the Ustad of music director Madan Mohan, Ghulam Mohd. Ibrahim Khan Sahab, younger brother of music director Ghulam Mohd. After he got fame, he became shagird of Mohd. Aziz Naza used to listen to them singing or playing, and of course learned a lot from them.
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Learning Music :- In his early life he used to go to the house of Ustad Bade Ghulam Ali Khan Sahab, who lived in the same area of Bhendi Bazar, Many of the Ustads of the Indian classical music gathered at his house every day. In Trishna he acted in a special appearance and song “Husn wale kisi ke yaar nahin hote hain” was picturised on him. He sang in many films there after like Rafoo cakkar (1975), Fakira (1976), Laila Majnu (1976), Nehle pe dehla (1976), and Trishna (1978) to name a few of them. After this great hit Aziz naza became a big name as a playback singer also. Jhoom Barabar jhoom sharabi was the turning point of the career of Aziz Naza. In a sponsored program of Radio Ceylon, “Binaca geet mala” Jhoom barabar jhoom sharabi was at number one for several weeks. Johar added the song “Jhoom barabar jhoom sharabi” in his film “5 Rifles” and this too was a great hit. , because of this number film “Mere gharib nawaz” got significant success. In the middle of the film, a 20 minute reel of Aziz Naza, singing his number “Jhoom barabar” was shown. In 1973 film “Mere gharib nawaz” was released. and all the records of success were broken by this number. But he got the real success in 1970, when his all time great hit “Jhoom Barabar jhoom sharabi” was released by Columbia Music Co. In 1968 his record “Nigah e Karam” was released and it became a great hit among Qawwali fans. With this album he found a significance as a famous Qawwal. Success:- In 1962 his record “Jiya nahin maana” was released and became a big hit. He signed a contract with The Gramophone Co. Gradually he got a recognition as an individual qawwal. After some time he joined the famous Qawwal, “Hame to loot liya mil ke husn walon ne” fame Ismail Azad’s party as a chorus singer. After that he joined Orchestra and began to sing the songs of Lata Mangeshkar. Every time he was traced singing by his family members, he was punished badly, but he didn’t give up, and continued his singing career. But he was so passionate about music so he continued it secretly. His family, having fundamental muslim faith, did not like music, as music is considered as evil in Islam. He is particularly remembered for the genre known as Qawwali.īackground :- He was born in Mumbai in a prominent Malabari (Kerala) muslim family. Abdul Aziz Kunji Markar, best known as Aziz Naza (or Nazan) (हिन्दी - अज़ीज़ नाज़ां) (7th May 1938 – 8 October 1992) was an international fame singer.